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By this I mean that we will no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.

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Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.


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Uchiyama is reported as

getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Avion En Papier Tuto avoid the complexities of a model achieved exclusively by folding.

Origami facile


Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, but the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to Origami Easy Dragon it as Kirikomi and distinguishes it as typical of very early Japanese Origami.



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In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can make certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper is apparently Japanese in origin was Bateau De Papier Paul Hebert demonstrated by Yoshizawa at a Convention in Birmingham. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and we are approaching figurine rather than Origami.

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The cutting out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri Origami Owl Discount (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. One of the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.



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The associated arts are Weaving Faire Un Bateau En Papier Youtube and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the pet and then brought together.
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The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a quantity of potager of different sizes.


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Inside the most extreme mixtures of water and paper we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe most basic step from the single color is one side female and one white or plain. A great deal of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the Faire Un Avion En Papier Tuto texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.

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